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[indie-folk, indie-pop] (2019) Weyes Blood - Titanic Rising [FLAC,Tracks] [DarkAngie]

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Description

(2019) Weyes Blood - Titanic Rising


Review:
The road that songwriter Natalie Mering and her shapeshifting project Weyes
Blood walked was a long and twisting route, leading from weird experimental early days to the high definition grandeur
of fourth album Titanic Rising. Every step of the journey brought Mering’s gifts for songcraft into sharper focus,
with 2014’s achingly beautiful The Innocents losing some of its hush with the soft rock lushness of 2016’s Front Row
Seat to Earth. That 70’s FM radio spirit continues on Titanic Rising, but is expanded with more daring songwriting,
larger than life arrangements and the crystallization of Mering’s distinctive take on songcraft. Mering has always
been geared towards the big-picture creation of albums more than just writing stand alone tunes. Even her earliest work
had a sense of purposeful architecture to the way it flowed between folky dirges and sheets of noise. Here she
underscores enormously orchestrated pop songs with eerie experimental ambience, imagining a dreamworld where Joni
Mitchell’s late 70’s output was produced by Brian Eno. Mitchell’s introspective searching is a key reference point
for many of these songs, with Maring’s self-harmonizing and bounding melodic approach recalling Mitchell on many
tracks here. Once album opener “Lot’s Gonna Change” moves from a warped few seconds of synthesizer to its
understate piano figure, it embodies the vulnerabilty and struggle found in so much of the Laurel Canyon songwriting set
of the 70’s. Co-production from Foxygen member Jonathan Rado might explain the brightly blooming chamber pop
arrangements, merging Maring’s soaring vocals with orchestral strings and drum fills borrowed directly from the
Beatles. This optimistic throwback arrangement is in full force on the infectiously bubbly “Everyday”, with lyrics
inspecting relationship confusion over a track as bouncy as a rubber ball. Mering effortlessly switches gears throughout
the album, slipping between the synthy melodrama of “Movies” and the cold coffee blues piano ballad “Something To
Believe” as well as making space for acoustic folk numbers, ambient interludes and chamber pop diversions. Easily her
most clear-headed set of songs to date, there’s a directness here that sometimes got lost in the layers of earlier
albums. She sounds driven and confident, asserting an intense control of the emotional flow of her songs without ever
rushing things or letting some of the anxiety she sings about seep into the feel of the album. While all of Weyes
Blood’s albums leading up to Titanic Rising were good, even great, there’s something that sets this one apart.
Fantastic songs, meticulously detailed production and a certain, hard to name spark of connection all gel into the
near-perfect statement that every part of Mering’s strange journey before this led up to.





Tracklist:
01 - A Lot's Gonna Change
02 -
Andromeda
03 - Everyday
04 - Something to Believe
05 - Titanic Rising
06 - Movies
07 - Mirror
Forever
08 - Wild Time
09 - Picture Me Better
10 - Nearer to Thee


Summary:
Country: USA
Genre: indie-folk, indie-pop


Media Report:
Source                           : CD
Format                    
      : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode           
        : Variable
Bit rate                         : ~ 676-836 Kbps
Channel(s)                       : 2
channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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